Tuesday, June 19, 2007

THE MONTEREY INTERNATIONAL POP FESTIVAL

PLAY THE SHOW

No single event better represents the spirit and the music of the ‘Summer of Love’ better than the Monterey Pop Festival. The year may have been 1967, but this where everybody’s notion of “The Sixties” began, with psychedelic music, self-empowered hippies, and an unfueled optimism that for a short while made all participants believe that they could change the world. For a few days in June of 1967, they did.
The lineup combined popular acts with some new faces, and the results were legendary. Unlike Woodstock, Monterey Pop’s reputation is based not only on the significance of the event itself, but also on the significance of the music that was played. Over the course of three days, a redefinition of pop culture took place. The zeitgeist had been established just two weeks earlier, when the Beatles released their magnum opus, “Sgt. Pepper’s Lonely Hearts Club Band,” and the Monterey Pop Festival cemented the artistic optimism of that album into something tangible. Suddenly, pop music was being perceived as a form of artistic and personal expression, as valid an art form as any of the ‘fine’ arts. Janis Joplin, Jimi Hendrix, Otis Redding, Ravi Shankar, the Who and a host of others provided a soundtrack for this new perspective. If you want to know what this soundtrack sounded like, you can purchase Razor & Tie’s 2-disk cd set, simply entitled “Monterey International Pop Festival,” which contains excerpts from each of the above mentioned acts, plus a few more.
From today’s perspective, when there are literally dozens of music festivals taking place each summer, it is hard to imagine a time when the notion of a ‘pop’ festival was a novelty. Monterey defined the notion of what a pop festival could be, and still serves as a prime example of how nice it is when things go right. Flowers were distributed about the grounds of the festival, and they became a symbol of the event. Police officers were hired to keep the peace, and found themselves surrounded by ecstatic fans. Some ornamented their uniforms with the flowers – others placed them into the barrel of their weapon. An aura of peace and community descended onto the participants, and for a short while, the Summer of Love was more than a catchphrase, it was a statement of fact.
Here’s a list of performances from the Festival that are included in today’s program;
1) San Francisco – Scott McKenzie
2) Homeward Bound – Simon & Garfunkel
3) Ball and Chain – Big Brother & the Holding Company
4) So You Wanna Be a Rock ‘n Roll Star – The Byrds
5) White Rabbit – Jefferson Airplane
6) I’ve Been Loving You Too Long – Otis Redding
7) For What It’s Worth – Buffalo Springfield
8) My Generation – The Who
9) Like a Rolling Stone – Jimi Hendrix
10) California Dreamin’ – The Mamas & the Papas

3 Comments:

Anonymous Anonymous said...

Tom:

Regarding Buffalo Springfield at Monterey, you mentioned that it was great to hear Stills and Neil Young together at Monterrey. Check the three or four disc boxed set. I don't have it in front of me but it's my recollection that Neil Young was not there and that in his place was none other than David Crosby.

Yours,

Mike Rosenbloom

1:51 PM  
Anonymous Anonymous said...

One more comment about Monterrey, this time the Who, if you ever want to see Keith Moon at his prime, watch the DVD of their performance at Monterrey. Again, check out the DVD boxed set. By the year after and certainly by the time Tommy was released in 1969, Moon was not as frenetic or incredible as on the Monterrey performance. A truly unforgettable performance by one of Rock's legends.

Mike R.

1:56 PM  
Blogger Tom Ryan said...

MIKE,
Thanks for straightening me out re: the Buffalo Springfield set. I should have known, considering the timeline, and I was wondering why Neil's voice was impossible to pick out - that explains it, so thanks for keeping the facts straight.
...and you're 100% on re: Keith Moon - he started fading quite early in his career, but the film captures him at his lunatic best.

3:24 PM  

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